In Coralie Fargeat's new feminist horror film The Substance, hazardous societal charm requirements are the genuine beasts. They (female objectification, the disposal of "the outdated," the proliferation of a field improved physical body modification) feed a beast of a cycle that leads Demi Moore's fading television individuality character Elisabeth https://them20062024.wikipublicist.com/4759699/margaret_qualley_the_substance